The J.K. Rowling Index

List of all J.K. Rowling's writings.

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Work Tag: non fiction

The Sword of Gryffindor

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Index ID: PMSWORD — Publication date: October 18th, 2012

New from J.K. Rowling

The sword of Gryffindor was made a thousand years ago by goblins, the magical world’s most skilled metalworkers, and is therefore enchanted. Fashioned from pure silver, it is inset with rubies, the stone that represents Gryffindor in the hour-glasses that count the house points at Hogwarts. Godric Gryffindor’s name is engraved just beneath the hilt. The sword was made to Godric Gryffindor’s specifications by Ragnuk the First, finest of the goblin silversmiths, and therefore King (in goblin culture, the ruler does not work less than the others, but more skillfully). When it was finished, Ragnuk coveted it so much that he pretended that Gryffindor had stolen it from him, and sent minions to steal it back. Gryffindor defended himself with his wand, but did not kill his attackers. Instead he sent them back to their king bewitched, to deliver the threat that if he ever tried to steal from Gryffindor again, Gryffindor would unsheathe the sword against them all.

The goblin king took the threat seriously and left Gryffindor in possession of his rightful property, but remained resentful until he died. This was the foundation for the false legend of Gryffindor’s theft that persists, in some sections of the goblin community, to this day.

The question of why a wizard would need a sword, though often asked, is easily answered. In the days before the International Statute of Secrecy, when wizards mingled freely with Muggles, they would use swords to defend themselves just as often as wands. Indeed, it was considered unsporting to use a wand against a Muggle sword (which is not to say it was never done). Many gifted wizards were also accomplished duellists in the conventional sense, Gryffindor among them.

There have been many enchanted swords in folklore. The Sword of Nuadu, part of the four legendary treasures of Tuatha Dé Danann, was invincible when drawn. Gryffindor’s sword owes something to the legend of Excalibur, the sword of King Arthur, which in some legends must be drawn from a stone by the rightful king. The idea of fitness to carry the sword is echoed in the sword of Gryffindor’s return to worthy members of its true owner’s house.

Much like a magic wand, the sword of Gryffindor appears to be almost sentient, responding to appeals for help by Gryffindor’s chosen successors; and, similar to a wand, part of its magic is that it imbibes that which strengthens it, which can then be used against enemies.

J.K. Rowling’s thoughts

There is a further allusion to Excalibur emerging from the lake when Harry must dive into a frozen forest pool to retrieve the sword in Deathly Hallows (though the location of the sword was really due to a spiteful impulse of Snape’s to place it there), for in other versions of the legend, Excalibur was given to Arthur by the Lady of the Lake, and was returned to the lake when he died.

Within the magical world, physical possession is not necessarily a guarantee of ownership. This concept applies to the three Deathly Hallows, and also to Gryffindor’s sword.

I am interested in what happens when cultural beliefs collide. In the Harry Potter books, the most militant of the goblin race consider all goblin-made objects to be theirs by right, although a specific object might be made over to a wizard for his life-span upon a payment of gold. Witches and wizards, like Muggles, believe that once payment has been made, the object belongs to them and their descendants or legatees in perpetuity. This is a clash of values without a solution, because each side has a different concept of what is right. It therefore presents Harry with a difficult moral dilemma when Griphook demands the sword as payment for his services in Deathly Hallows.

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Polyjuice Potion

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Index ID: PMPOLY — Publication date: October 18th, 2012

New from J .K. Rowling

The Polyjuice Potion, which is a complex and time-consuming concoction, is best left to highly skilled witches and wizards. It enables the consumer to assume the physical appearance of another person, as long as they first procured part of that individual’s body to add to the brew (this may be anything – toenail clippings, dandruff or worse – but it is most usual to use hair) The idea that a witch or wizard might make use of parts of the body is an ancient one, and exists in the folklore and superstitions of many cultures.

The of the potion is only temporary, and depending on how well it has been brewed , may last anything from between ten minutes and twelve hours. You can change age, sex and race by taking the Polyjuice Potion, but not species.

J .K. Rowling’ s thoughts

I remember creating the fill list of ingredients for the Polyjuice Potion. Each one was carefuIIy selected. Lacewing flies (the first part of the name suggested an intertwining or binding together of identities); leeches (to suck the essence out of one and into the other); horn of a Bicorn (the idea of duality); knotgrass (another hint of being tied to another person); fluxweed (the mutability of the body as it changed into another) and Boomslang skin (a shedded outer body and a new inner).

The fact that Hermione is able to make a competent Polyjuice Potion at the age of twelve is testimony to her outstanding magical ability, because it is a potion that many adult witches and wizards fear to attempt.

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Hogwarts Ghosts

pottermore non fiction

Index ID: PMHGH — Publication date: October 18th, 2012

New from J. K. Rowling

Hogwarts is the most heavily haunted dwelling place in Britain (and this is against stiff competition, as there are more reported ghost sightings/sensings on these damp islands than anywhere else in the world). The castle is a congenial place for ghosts, because the living inhabitants treat their dead friends with tolerance and even affection, no matter how many times they have heard the same old reminiscences.

Each of the four Hogwarts houses has its own ghost. Slytherin boasts the Bloody Baron, who is covered in silver bloodstains. The least talkative of the house ghosts is the Grey Lady, who is long-haired and beautiful.

Hufflepuff house is haunted by the Fat Friar, who was executed because senior churchmen grew suspicious of his ability to cure the pox merely by poking peasants with a stick, and his ill-advised habit of pulling rabbits out of the communion cup. Though a genial character in general, the Fat Friar still resents the fact that he was never made a cardinal.

Gryffindor house is home to Nearly Headless Nick, who in life was Sir Nicholas de Mimsy-Porpington. Something of a snob, and a less accomplished wizard than he believed, Sir Nicholas lounged around the court of Henry VII in life, until his foolish attempt to beautify a lady-in-waiting by magic caused the unfortunate woman to sprout tusks. Sir Nicholas was stripped of his wand and inexpertly executed, leaving his head hanging off by a single flap of skin and sinew. He retains a feeling of inadequacy with regard to truly headless ghosts.

Another notable Hogwarts ghost is Moaning Myrtle, who haunts an unpopular girls’ toilet. Myrtle was a student at Hogwarts when she died, and she chose to return to school in perpetuity, with the short-term aim of haunting her arch-rival and bully, Olive Hornby. As the decades have rolled by, Myrtle has made a name for herself as the most miserable ghost in school, usually to be found lurking inside one of the toilets and filling the tiled space with her moans and howls.”

J. K. Rowling’s Thoughts

The inspiration for Moaning Myrtle was the frequent presence of a crying girl in communal bathrooms, especially at the parties and discos of my youth. This does not seem to happen in male bathrooms, so I enjoyed placing Harry and Ron in such uncomfortable and unfamiliar territory in HARRY POTTER and the Chamber of Secrets and HARRY POTTER and the Half-Blood Prince.

The most productive ghost at Hogwarts is, of course, Professor Binns, the old History of Magic teacher who fell asleep in front of the staff-room fire one day and simply got up to give his next class, leaving his body behind. There is some debate as to whether or not Professor Binns realises he is dead. While his entrance to lessons through the blackboard is vaguely amusing the first time students see it, he is not the most stimulating teacher.

The inspiration for Professor Binns was an old professor at my university, who gave every lecture with his eyes closed, rocking backwards and forwards slightly on his toes. While he was a brilliant man, who disgorged an immense amount of valuable information at every lecture, his disconnect with his students was total. Professor Binns is only dimly aware of his living students, and is astonished when they begin asking him questions.

In the very earliest list of ghosts I ever wrote for Hogwarts, I included Myrtle (initially named ‘Wailing Wanda’), Professor Binns, the Grey Lady (then called ‘the Whispering Lady’) and the Bloody Baron. There was also a Black Knight, The Toad (which left ectoplasm all over its classroom), and a ghost I rather regret not using: his name was Edmund Grubb, and the notes beside his name say: Expired in the doorway of the Dining Hall. Sometimes stops people getting in, out of spite. Fat Victorian ghost. (Ate poisonous berries).

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King’s Cross Station

non fiction pottermore

Index ID: PMKCS — Publication date: October 18th, 2012

New from J.K. Rowling

When Ottaline Gambol commandeered a Muggle train to serve as the new mode of transport for Hogwarts students, she also had constructed a small station in the wizarding village of Hogsmeade: a necessary adjunct to the train. The Ministry of Magic felt strongly, however, that to construct an additional wizarding station in the middle of London would stretch even the Muggles’ notorious determination not to notice magic when it was exploding in front of their faces.

It was Evangeline Orpington, Minister from 1849-1855, who hit upon the solution of adding a concealed platform at the newly (Muggle) built King’s Cross station, which would be accessible only to witches and wizards. On the whole, this has worked well, although there have been minor problems over the ensuing years, such as witches and wizards who have dropped suitcases full of biting spellbooks or newt spleens all over the polished station floor, or else disappeared through the solid barrier a little too loudly. There are usually a number of plain-clothed Ministry of Magic employees on hand to deal with any inconvenient Muggle memories that may need altering at the start and end of each Hogwarts term

J.K. Rowling’s thoughts

King’s Cross, which is one of London’s main railway stations, has a very personal significance for me, because my parents met on a train to Scotland which departed from King’s Cross station. For this reason, and because it has such an evocative and symbolic name, and because it is actually the right station to leave from if you were heading to Caledonia, I never knew the slightest indecision about the location of the portal that would take Harry to Hogwarts, or the means of transport that would take him there.

It is said (though where the story originated I could not tell you; it is suspiciously vague) that King’s Cross station was built either on the site of Boudicca’s last battle (Boudicca was an ancient British queen who led a rebellion against the Romans) or on the site of her tomb. Legend has it that her grave is situated somewhere in the region of platforms eight to ten. I did not know this when I gave the wizards’ platform its number. King’s Cross station takes its name from a now-demolished monument to King George IV.

There is a real trolley stuck halfway out of a wall in King’s Cross now, and it makes me beam proudly every time I pass….

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New novel for adults announcement

non fiction statement

Index ID: NNFA — Publication date: February 23rd, 2012

Note: Part of the press release to announce J.K. Rowling's new novel for adults. A shorter version appeared on J.K. Rowling website written on her own handwriting.

Although I’ve enjoyed writing it every bit as much, my next book will be very different to the Harry Potter series, which has been published so brilliantly by Bloomsbury and my other publishers around the world. The freedom to explore new territory is a gift that Harry’s success has brought me, and with that new territory it seemed a logical progression to have a new publisher. I am delighted to have a second publishing home in Little, Brown, and a publishing team that will be a great partner in this new phase of my writing life.

The following images are related to this writing

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Hufflepuff Common Room

non fiction pottermore

Index ID: HCR — Publication date: August 15th, 2011

The Hufflepuff common room is entered from the same corridor as the Hogwarts kitchens. Proceeding past the large still life that forms the entrance to the latter, a pile of large barrels is to be found stacked in a shadowy stone recess on the right-hand side of the corridor. The barrel two from the bottom, middle of the second row, will open if tapped in the rhythm of ‘Helga Hufflepuff’.* As a security device to repel non-Hufflepuffs, tapping on the wrong barrel, or tapping the incorrect number of times, results in one of the other lids bursting off and drenching the interloper in vinegar.

A sloping, earthy passage inside the barrel travels upwards a little way until a cosy, round, low-ceilinged room is revealed, reminiscent of a badger’s sett. The room is decorated in the cheerful, bee-like colours of yellow and black, emphasised by the use of highly polished, honey-coloured wood for the tables and the round doors which lead to the boys’ and girls’ dormitories (furnished with comfortable wooden bedsteads, all covered in patchwork quilts).

A colourful profusion of plants and flowers seem to relish the atmosphere of the Hufflepuff common room: various cactii stand on wooden circular shelves (curved to fit the walls), many of them waving and dancing at passers-by, while copper-bottomed plant holders dangling amid the ceiling cause tendrils of ferns and ivies to brush your hair as you pass under them.

A portrait over the wooden mantelpiece (carved all over with decorative dancing badgers) shows Helga Hufflepuff, one of the four founders of Hogwarts School, toasting her students with a tiny, two-handled golden cup. Small, round windows just level with the ground at the foot of the castle show a pleasant view of rippling grass and dandelions, and, occasionally, passing feet. These low windows notwithstanding, the room feels perennially sunny.

* The complexity or otherwise of the entrance to the common rooms might be said to give a very rough idea of the intellectual reputation of each house: Hufflepuff has an unchanging portal and requires rhythmic tapping; Slytherin and Gryffindor have doorways that challenge the would-be entrant about equally, the former having an almost imperceptible hidden entrance and a varying password, the latter having a capricious guardian and frequently changing passwords. In keeping with its reputation as the house of the most agile minds at Hogwarts, the door to the Ravenclaw common room presents a fresh intellectual or philosophical challenge every time a person knocks on it.

Nevertheless, it ought not to be concluded from the above that Hufflepuffs are dimwits or duffers, though they have been cruelly caricatured that way on occasion. Several outstanding brains have emerged from Hufflepuff house over the centuries; these fine minds simply happened to be allied to outstanding qualities of patience, a strong work ethic and constancy, all traditional hallmarks of Hufflepuff House.

J. K. Rowling’s thoughts

When I first planned the series, I expected Harry to visit all four house common rooms during his time at Hogwarts. There came a point when I realised that there was never going to be a valid reason to enter the Hufflepuff room. Nevertheless, it is quite as real to me as the other three, and I always knew exactly where those Hufflepuffs were going when they headed off towards the kitchens after lessons.

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Familiars

non fiction pottermore

Index ID: FMLRS — Publication date: August 15th, 2011

The concept of ‘familiars’ has existed in British folklore for many hundreds of years. Familiars are animals (some say animal-shaped spirits) that serve a witch in various ways, whether as servants, messengers or even spies. Historical accounts of witchcraft make mention of familiars; such animals have been credited with supernatural gifts, and even believed to be demons (or the devil himself) in disguise.

Familiars, in the strictest sense, do not exist within the world of Harry Potter. Although Hogwarts students are permitted to bring animals to school with them, the cats and rats we see there are, broadly speaking, pets. Ironically, the animal that acts most like a traditional familiar in the entire series is Mrs Norris, who belongs to the castle’s only non-magical inhabitant, Argus Filch. It is true that owls are sent as messengers within the series, but this is in the context of a highly organised postal service, not unlike Muggle pigeon post.

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The Philosopher’s Stone

non fiction pottermore

Index ID: PSPM — Publication date: August 15th, 2011

I did not invent the concept of the Philosopher’s Stone, which is a legendary substance that was once believed to be real, and the true goal of alchemy.

The properties of ‘my’ Philosopher’s Stone conform to most of the attributes the ancients ascribed to it. The Stone was believed to turn base metals into gold, and also to produce the Elixir of Life, which could make you immortal. ‘Genuine’ alchemists – the forerunners of chemists and physicists – such as Sir Isaac Newton and (the real) Nicolas Flamel, sought, sometimes over lifetimes, to discover the secret of its creation.

The Stone is variously described as red and white in the many old texts in which it appears. These colours are important in most accounts of alchemy, and are often interpreted as having symbolic meaning.

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Professor Quirrell

non fiction pottermore

Index ID: PQPM — Publication date: August 15th, 2011

New from J.K. Rowling

Trait Description
Birthday 26th September
Wand Alder and unicorn hair, nine inches long, bendy
Hogwarts House Ravenclaw
Special Abilities Learned in the theory of Defensive Magic, less adept in the practise
Parentage Half-blood
Family Unmarried, no children
Hobbies Travel, pressing wild flowers

Harry’s first Defence Against the Dark Arts teacher is a clever young wizard who took a ‘Grand Tour’ around the world before taking up his teaching post at Hogwarts. When Harry first meets Quirrell, he has adopted a turban for everyday wear. His nerves, expressed most obviously in his stammer, are so pronounced that it is rumoured the turban is stuffed full of garlic, to ward off vampires.

I saw Quirrell as a gifted but delicate boy, who would probably have been teased for his timidity and nerves during his school life. Feeling inadequate and wishing to prove himself, he developed an (initially theoretical) interest in the Dark Arts. Like many people who feel themselves to be insignificant, even laughable, Quirrell had a latent desire to make the world sit up and notice him.

Quirrell set out deliberately to find whatever remained of the Dark wizard, partly out of curiosity, partly out of that unacknowledged desire for importance. At the very least, Quirrell fantasised that he could be the man who tracked Voldemort down, but at best, might learn skills from Voldemort that would ensure he was never laughed at again.

Though Hagrid was correct in saying that Quirrell had a ‘brilliant mind,’ the Hogwarts teacher was both naive and arrogant in thinking that he would be able to control an encounter with Voldemort, even in the Dark wizard’s weakened state. When Voldemort realised that the young man had a position at Hogwarts, he took immediate possession of Quirrell, who was incapable of resisting.

While Quirrell did not lose his soul, he became completely subjugated by Voldemort, who caused a frightful mutation of Quirrell’s body: now Voldemort looked out of the back of Quirrell’s head and directed his movements, even forcing him to attempt murder. Quirrell tried to put up feeble resistance on occasion, but Voldemort was far too strong for him.

Quirrell is, in effect, turned into a temporary Horcrux by Voldemort. He is greatly depleted by the physical strain of fighting the far stronger, evil soul inside him. Quirrell’s body manifests burns and blisters during his fight with Harry due to the protective power Harry’s mother left in his skin when she died for him. When the body Voldemort and Quirrell are sharing is horribly burned by contact with Harry, the former flees just in time to save himself, leaving the damaged and enfeebled Quirrell to collapse and die.

J.K. Rowling’s thoughts

Quirinus was a Roman God about whom there is not much information, although he is commonly associated with war – a clue that Quirrell is not quite as meek as he appears. ‘Quirrel,’ which is so nearly ‘squirrel’ – small, cute and harmless – also suggested ‘quivery,’ a nod to the character’s innate nervousness.

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Nicholas Flamel

non fiction pottermore

Index ID: NFPM — Publication date: August 15th, 2011

Nicolas Flamel was a real person. I read about him in my early twenties when I came across one of the versions of his life story. It told how he had bought a mysterious book called The Book of Abraham the Jew, which was full of strange symbols and which Flamel realised were instructions on alchemy. The story went that he subsequently made it his life’s work to produce the Philosopher’s Stone.

The real Flamel was a wealthy businessman and a noted philanthropist. There are streets in Paris named after him and his wife, Perenelle.

I remember having a highly detailed and exceptionally vivid dream about Flamel, several months into the writing of Philosopher’s Stone, which was like a renaissance painting come to life. Flamel was leading me around his cluttered laboratory, which was bathed in golden light, and showing me exactly how to make the Stone (I wish I could remember how to do it).

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