When I conceived the idea of writing The Tales of Beedle the Bard in full, I was intrigued to discover how wizarding fairy-tales would differ from those told to muggle children. In the latter, witches and wizards are relegated to walk-on, if pivotal, roles; within The Tales of Beedle the Bard, they themselves are the heroes and heroines.
You might think that magic would solve any fairy-tale dilemma, but it transpires that there is always somebody who can cast a more powerful curse, or a creature who will not yield to one’s best enchantments. Then, the intractable and eternal human predicaments of love, death and the pursuit of happiness are not necessarily resolved any more easily by the possessors of wands.
So these wizarding fairy-tales have much in common with their muggle counterparts: they exist to express human hopes and fears, and to teach a lesson or two. There are, however, a few important differences: witches tend to save themselves, rather than waiting around for a man to do it, and young wizards are warned, not against the dangers and temptations of the outside world, but of their own magical powers.
The Tales of Beedle the Bard is really a distillation of the themes found in the Harry Potter books, and writing it has been the most wonderful way to say goodbye to a world I loved and lived in for seventeen years.
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